Monday, June 25, 2012

Seeing 2012 (#87)

For your consideration:  an image posted while on Lithium . . . (such was the Nirvana tune playing on Pandora radio as I created this offering).

Hmm.  The surrealist aspect of this arid composition, with its wired sculpture of impenetrable import, does seen rather like a notion conjured up during some ingestion of chemical influence.  As I scanned the original scene I was at a loss to explain its purpose.  Not quite a modern Stonehenge,  yet who knows what high desert heat can do to a restless mind.

Perhaps visiting archeologists centuries hence will divine a plausible theory as to its meaning.

Doubtful, that, but it was a fun discovery nonetheless (and, I must admit, a quintessentially Arizonan one), regardless of its opaque message and function.


Chloride, Arizona, #4664-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: November 27, 2011; Canon 7D; f/10 @ 1/500 sec; –1/3 EV; ISO 250;
Tokina 11-16mm f/2.8 @ 11mm

________


Visit my full photographic repository at jwmurray.smugmug.com

Saturday, June 23, 2012

Seeing 2012 (#86)

For your consideration:  a forgotten image I was pleased to rediscover this evening. 

I came across this whilst wading through a veritable plethora of photographs I've taken over the past several years, my goal being to somehow glean 40 - 60 to print, matte and frame in time for a new exhibit I'm scheduled to put on in August . . .

I remember quite well the locale of this selection, if not actually taking it:  the St. Francis Retreat Center nestled in the foothills above San Juan Bautista.  I'm not sure some of the resident clergy would quite approve of my depiction of this wholly natural early morning delight. 

At same time, I can say with some certainty that the temperature was somewhat warmer than may be implied here . . .


Succulent Tip, #7736-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: May 8, 2010; Canon 20D; f/8 @ 1/60 sec; –1/3 EV; ISO 200;
Canon EF 100mm f/2.8 Macro USM

________


Visit my full photographic repository at jwmurray.smugmug.com

Friday, June 22, 2012

Seeing 2012 (#85)

For your consideration:  a simple meditation on the mutually reinforcing beauty inherent in intimate, symmetrical companionships.

In such relationships exist the essence of majesty and, paradoxically, humble, implicit manifestation of a quiet strength and growth . . . the nature of which yields joyous rewards greatly exceeding the sum of the individual contributions.


Twin Blades (Duality), #0933-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: April 27, 2012; Canon 7D; f/2.8 @ 1/500 sec; –1/3 EV; ISO 500;
Canon EF 100mm f/2.8 Macro USM

________


Visit my full photographic repository at jwmurray.smugmug.com

Thursday, June 21, 2012

Seeing 2012 (#84)

For your consideration:  a contemplation on the complex, often times nearly unfathomable subterfuges employed in the pursuit of at least some degree of affirmation . . .

Contusions and confusions, particularly those which are denizens of the unconscious, can linger far beyond the merits of their heroic acquisition.  Their demands for healing occasionally compel pursuits of illusionary oases, distant shores which viewed from afar, unexplored, promise relief and the thrill of adventure . . . Yet (if ever truly reached) such landings deliver only thin and short-lived bromides. 

Inevitably one discovers that the original harbors from which we wander are where restoration, integrity and safety truly reside.  Of course the inhabitants' imperfections and attendant irritants still accompany their hosts. Indeed, for those stout of heart, those selfsame bruises, visible and sublimated, become the foundations for common ground, and nurture the basis of a knowing compassion which defines and mends the soul. 


Subliminal Discretions (Dyadic Calculi), #0933-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 24, 2011; Canon 7D; f/8 @ 1/25 sec; –2/3 EV; ISO 800;
Tokina 11-16mm f/2.8 & 16mm

________


Visit my full photographic repository at jwmurray.smugmug.com

Wednesday, June 20, 2012

Seeing 2012 (#83)

For your consideration:  summer's imminent.

With a nod towards the inevitable warming trends (and the corresponding inverse relationships between clothing layers and interludes) — romantic enticement, à la Santa Barbara.  A cooler to heat things up . . .


Love Machine, #6412-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: March 24, 2012; Canon 7D; f/6.4 @ 1/1328 sec; –1/3 EV; ISO 400;
Canon EF 100mm f/2.8 Macro USM

________


Visit my full photographic repository at jwmurray.smugmug.com

Tuesday, June 19, 2012

Seeing 2012 (#82)

For your consideration:  a small surprise, for me at least, and possibly for you too, dear viewer . . .

In my case the revelation came when I was being dropped off from a ride with a friend:  as I exited the car my eye happened to catch this quite small, delicate organic structure huddled hard against the curb in front of my housing complex. Given that I was in my normal state of hurried discombobulation, trying to simultaneously check to make sure I wasn't leaving anything behind whilst fishing for my keys, it was a minor miracle to spot this treasure at all.

In fact, I nearly dismissed it in my haste . . . yet some artistic synapse ordered an immediate halt to my trajectory.  Perhaps I was moved by the fragility of this disconnected bit of life cast into the caustic environment of a city street . . . whatever compelled me, I stopped in my tracks long enough to delicately retrieve this subject, and carried it to the quiet safety of my abode.

Of course photographing it immediately was the only option; being cast off from its mother plant doomed it to a much shortened vibrant lifespan.  Thus the tasks at hand:  find my Third Hand tool, set up the tripod, grab the macro lens . . . position the subject . . . determine optimum exposure settings (low ISO for fineness - allowing small aperture for greater depth of field focus [thus the tripod]) . . .

Take some shots, adjust f/stop, recheck focus, framing . . . more shots . . . change subject's "pose" . . . repeat . . . repeat . . .  ah yes, that's better . . . you're looking beautiful kid, now try this . . . now that . . . very coöperative model!  I appreciate it!  Thank you for your time, it's been great!

And now for your surprise, gentle reader:  this image was created outdoors in direct late-afternoon sunlight —with the additional aid of my flash (held off-camera).

Yes, indeed:  I do love having fun with photons!


Twisted, #8228-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: May 26, 2012; Canon 7D; f/26 @ 1/166 sec; – 1 1/3 EV; ISO 250;
Canon EF 100mm f/2.8 Macro USM

________


Visit my full photographic repository at jwmurray.smugmug.com

Friday, June 15, 2012

Seeing 2012 (#81)

For your consideration:  a wicked street discovery, if you will . . .


Woody Scene, #1575-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: April 30, 2011; Canon 20D; f/16 @ 1/1000 sec; –2/3 EV; ISO 200;
Canon EF 70-300mm f/4-5.6L IS USM @ 116mm

________


Visit my full photographic repository at jwmurray.smugmug.com

Wednesday, June 13, 2012

Seeing 2012 (#80)

For your consideration . . .

Ostensibly a visual chit regarding some of the less glamorous citizenry of the diamond field, this view is also a geometric study of triads, symmetries and parallelism. 

On a deeply personal note, it warms my curmudgeon's heart to note the implementation of actual rakes in lieu of the obnoxious blowhard leaf blowers so noisily ubiquitous in our (often leaf-free) city streets. 

A delightful, surprising encore, albeit in extra innings (if you will).


Post-Game Wrap-Up, #8151-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: May 26, 2012; Canon 7D; f/5.6 @ 1/2049 sec; –1/3 EV; ISO 500;
Canon EF 70-300mm f/4-5.6L IS USM @ 236mm

________


Visit my full photographic repository at jwmurray.smugmug.com


Tuesday, June 12, 2012

Seeing 2018 (#79)

For your consideration:  the simply delightful daughter of one of my best friends, taking in her first ever Major League baseball game (Yankees vs A's).

While eighteen handsomely-paid grown-ups played a single game between chalk boundaries for two hours, adhering to rigid and complex rules, this charming youngster had considerably more fun creating her own myriad entertainments along entirely different lines. 

Witnessing the innocence of such free-form pleasure was its own reward.  (The Yank's overwhelming 9-2 victory, it must be noted, also provided her parents great satisfaction.  Whether Gretta much cared is doubtful.)


Gretta at the Yankees Game, #8057-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: May 26, 2012; Canon 7D; f/5 @ 1/512 sec; ±0 EV; ISO 640;
Canon EF 70-300mm f/4-5.6L IS USM @ 170mm

________


Visit my full photographic repository at jwmurray.smugmug.com

Monday, June 11, 2012

Seeing 2012 (#78)

For your consideration:  a tableau bursting with the vibrant, relentless energy of nature's primary mandate, that of procreation . . . Here it's simultaneously a case of attraction and promotion.

There's scant subtlety in the anatomy in this composition, particularly vis-à-vis the subliminal echo of homo sapiens' corresponding parts.  Yet, a twist presents itself, at least to the botanically uninformed:  the main subject, in this construction's foreground, is the male organ (the anther), while the background form jutting skyward is the female pistil and stigma. 

Ah yes. 

Alas, one suspects the plant world's sexual pursuits live largely in blissful ignorance of the nightmarish machinations which arise in the guise of mammalian Free Will.  For a species that (acutely narcissistically) regards itself as the lofty pinnacle of intelligence and reason, human beings display a marked and deeply disturbing penchant for creating chaos, pain and damage in dogged pursuit of the fleeting release of friction, and something better.  Indeed, in these so-called modern times immediate (and oh-so-temporary) escapist gratification is all-too-often the lingua franca. An entirely counter-productive, far more potent, and ultimately destructive form of friction inevitably follows.

As a desert native I can well-attest to the delusion and potency of mirages, shimmering harbors falsely promising cool relief from the intense heat under one's feet. 'Tis a hollow, dry substitute for the spiritual depth, trust and romantic richness which is the natural reward for persistent unity, mutual encouragement and sustained shared support while trudging amidst the trials and tribulations of life on life's terms.  It's a simple calculus:  healing threads and unexpected strength arise from the genuine bonds built on the foundations forged in sickness and in health, in times for better and for worse.

There's no free lunch. I've learned, and continue to find (the hard way, of course) that the route to true vitality, love and security comes not from the false promises of Atlantis on the horizon but rather by walking firmly hand-in-hand through the steel-tempering fires, slaying the dragons together.  For those willing, the soul takes beautiful flight, a lightness of being which rises above the din and thrusts skyward in joy.

As is nature's design.


Tiger Anther, #8824-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: June 7, 2012; Canon 7D; f/2.8 @ 1/128 sec; —1/3 EV; ISO 500;
Canon EF 100mm f/2.8 Macro USM

________


Visit my full photographic repository at jwmurray.smugmug.com

Thursday, June 7, 2012

Seeing 2012 (#77)

For your consideration:  an incongruous encounter of two vastly different travelers, afloat upon a surface as vast as it is dynamically varied in both form and duration.  The hint of an encroaching, meaningful boundary is as ethereal in its duration as the tenuous of its line; it serves instead as an omen and verdict:  after the next oceanic blitz sweeps over the scene it won't likely be the sturdy, fortress sphere which survives to again emerge into the fresh air.

There are times when being frail and buoyant has its advantage.


Untitled (Carpinteria Beach), #8401-72-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: June 1, 2012; Canon 7D; f/16 @ 1/250 sec; ±0 EV; ISO 320;
Canon EF 100mm f/2.8 Macro USM

________


Visit my full photographic repository at jwmurray.smugmug.com