Saturday, March 10, 2012

Seeing 2012 (#30)

For your consideration: from a retreat I took in the nearby Santa Cruz Mountains, away from modern life — and all of its trappings and attendant imprisonments — a representative of an unexpectedly sparse population of the delicate, gentle spiritual notes which dance on Nature's symphonic score sheets.

I think it no mistake in the large scheme of our experience as human beings that we must deliberately pause in order to take conscious recognition of the ever present beauty which surrounds us.

The effort invested is repaid in far greater measure by the healing of appreciation.



Daffodil, #5737-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: March 3, 2012; Canon 7D; f/6.4 @ 1/200 sec; —2/3 EV; ISO 800;
Canon EF 100mm f/2.8 Macro USM


________

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Friday, March 9, 2012

Seeing 2012 (#29)

For your consideration: a bit of a nod to the Mayans' prognostication proficiency, as it may manifest in the minds of some, at least.

Or, the outer surface of a slowly eroding, rather large water tank . . . one that's seen its better days.

You, dear viewer, can interpret which suits best as fits your mood and proclivities.



Three End Times, #5311-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: January 21, 2012; Canon 7D; f/5 @ 1/1300 sec; —1 EV; ISO 320;
Canon EF 70-300mm f/4-5.6L IS USM @ 182mm


________

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Thursday, March 8, 2012

Seeing 2012 (#28)

For your consideration: a façade of tranquility, hinting at interiors of uncertainties.



Insomnia, #5724-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: March 2, 2012; Canon 7D; f/11 @ 1 sec; —2 EV; ISO 250;
Canon EF 70-300mm f/4-5.6L IS USM @ 214mm


________

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Wednesday, March 7, 2012

Seeing 2012 (#27)

For your consideration: a contemplation on the dualistic nature of matter . . . waves vs. particles, at once well-ordered while also chaotic . . .

Very little — if anything — is ever as it seems. Even the enclosure secured by a gate is a self-contradiction (a stand-in for our own perceptions).


Static Waves (High Tide), #3916-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: February 2, 2011; Canon 20D; f/11 @ 1/2000 sec; ±0 EV; ISO 400;
Canon EF 70-300mm f/4-5.6L IS USM @ 244mm


________

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Saturday, March 3, 2012

Seeing 2012 (#26)

For your consideration: a simple study of a subtly complex work of nature . . . just supply a bit of water, appropriate mix of sunlight, and voilà, a minor miracle to behold.

Too frequently, in our modern hustle from place to place, text/facebook/PDA in front of face, we are oblivious to the intimate beauty in our space.


Lily Hook, #6876-20D

© 2012 James W. Murray, all rights reserved.


(click image for larger version)
Details: March 20, 2012; Canon 20D; f/13 @ 1/320 sec; —2/3 EV; ISO 400;
Canon EF 100mm f/2.8 Macro USM

________

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Friday, March 2, 2012

Seeing 2012 (#25)

For your consideration: a study of geometric abstraction and the movement of subtle patterns.

This was the last image taken during last month's trip to the Santa Barbara area; a long lens was employed to flatten the perspective.



Carprinteria Corner, #5713-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: February 18, 2012; Canon 7D; f/5.6 @ 1/83 sec; —2/3 EV; ISO 800;
Canon EF 70-300mm f/4-5.6L IS USM @ 104mm


________

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Thursday, March 1, 2012

Seeing 2012 (#24)

For your consideration: an early macro view of what I consider to be one of nature's most elegant, sublime and soothing subjects.



Lilly, #6861-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: March 20, 2010; Canon 20D; f/11 @ 1/1000 sec; —2/3 EV; ISO 400;
Canon EF 100mm f/2.8 Macro USM


________

Visit my full photographic repository at jwmurray.smugmug.com

Wednesday, February 29, 2012

Seeing 2012 (#23)

For your consideration: a quadrennial leap of faith . . .

. . . . a homage to Cartier-Bresson and a nod to this rarefied jump in the calendar.



Taking Flight, #5523-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: February 17, 2012; Canon 7D; f/16 @ 1/1025 sec; —2/3 EV; ISO 500;
Canon EF 70-300mm f/4-5.6L IS USM @ 200mm


________

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Tuesday, February 28, 2012

Seeing 2012 (#22)

For your consideration: a semi-candid capture of my primary fellow photography enthusiast, at least in terms of enthusiasm and excursions shared over the past few years.

It was Jerry's suggestion that we venture out to explore this remote jewel of a nearly pristine hidden valley.

The adventure was easily among the most visually rich and spiritually/emotionally rewarding in a very long while (even though we failed — just — to reach our planned destination of a little-known ghost town nestled in the distant hills).



Jerry Berkstresser, #5295-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: January 21, 2012; Canon 7D; f/8 @ 1/332 sec; ±0 EV; ISO 250;
Tokina 11-16mm f/2.8 @ 16mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Monday, February 27, 2012

Seeing 2012 (#21)

For your consideration: a reflective study on geometric spaces and implied motion where none is in play.

Found in the back recess of an eclectic bookstore, this tableau spoke to me that although we frequently believe we see the path ahead clearly, the fact is that many passages hold illusions and vectors to unexpected, unforeseeable destinations rife with unintended consequences.

Beware taking such enticing journeys capriciously, without due and ample contemplation. For what seems like a solid safely railing leading enticingly to brighter places may instead turn out to be slippery and easily shattered.

There is much to be said for the reliability and comfort of the familiar harbor with its well-secured moorings and protective, nurturing allies.



Untitled, #5683-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: February 18, 2012; Canon 7D; f/4 @ 1/40 sec; —1/3 EV; ISO 1000;
Canon EF 70-300mm f/4-5.6L IS USM @ 70mm


________

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Sunday, February 26, 2012

Seeing 2012 (#20)

For your consideration: a golden moment of contemplation.

Rather nonchalantly, a pointed decision seems to have arisen. One thing is certain: there is ample time to weigh the choice.



Musing Muse, #5117-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 31, 2011; Canon 7D; f/11 @ 1/1328 sec; —2/3 EV; ISO 500;
Canon EF 70-300mm f/4-5.6L IS USM @ 70mm


________

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Thursday, February 23, 2012

Seing 2012 (#19)

For your consideration: something of an extended family, with three keeping watch over a new edition . . .

There seems to be a keen synchronicity here, as a pair of elders holds me under close watch whilst mom remains riveted on her pup's safety. Reminds me, nostalgically, of the old neighborhood of my youth.



Seals on Sand, Carprinteria, #5581-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: February 17, 2012; Canon 7D; f/11 @ 1/332 sec; —1/3 EV; ISO 250;
Canon EF 70-300mm f/4-5.6L IS USM @ 269mm


________

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Wednesday, February 22, 2012

Seeing 2012 (#18)

For your consideration: a sighting of a newborn seal in the seal grotto at Carprinteria, relatively early in the season.

Taken from a considerable height above on an overlooking bluff. Despite the noise of the surf and vertical distance the adult female was acutely aware of my presence. She (and others like her, out of the frame) took frequent glances at my position, ever alert for an escape lest I try something drastic.

Just beyond this quiet cove was a much larger expanse of beach, occupied by perhaps a hundred kin of this pair; the vast majority were elders, with perhaps seven or eight pups amongst them.

As I lingered and took many shots, I was deeply moved by the unmistakably gentle — and intimate — maternal nurturing dynamic which was on constant display. There was a profound demonstration of the power and importance of a mother's love . . . a truth which spoke to a universal necessity: mom's attention, protection, wisdom and tenderness as vital elements in the healthy development of all species.



Carprinteria Seals (Mother and Child), #5586-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: February 17, 2012; Canon 7D; f/11 @ 1/332 sec; —1/3 EV; ISO 250;
Canon EF 70-300mm f/4-5.6L IS USM @ 300mm


________

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Wednesday, February 15, 2012

Seeing 2012 (#17)

For your consideration:

A view down into a maelstrom of uncertain pedigree — at least at first blush. Closer inspection, however, might reveal some insights.

For one, despite the seemingly relentless and impenetrable, forceful flow — chaotic rush of movement in all directions — in the center is found a reassuring solidity, and even signs of growth where none would seem plausible.

When chaos reigns and fight vs. flight grabs hold and extols the latter, it is usually best to stay put, on known terra firma, rather than risk all in uncertain leaps into the unknown.

For the strength of solid home footing trumps the storm and the siren call of the wild, when all is said and done. It takes more courage, and fortifies the soul, to remain and tend to foundations rather than to flee and be scattered.



Untitled, #1845-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: October 14, 2010; Canon 7D; f/7 @ 1/200 sec; —2/3 EV; ISO 400;
Canon EF 100mm f/2.8 Macro USM


________

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Tuesday, February 14, 2012

Seeing 2012 (#16)

For your consideration: a bucolic view into a relatively pristine valley, thus far seemingly little known to the frenzied nearby metropolises.

The day I had the joy of experiencing this area first-hand was one of the last in which I felt a deep, full, unbridled pleasure and sense of well-being. The weather, lighting and solitude combined to create an atmosphere of artistic and spiritual bliss.

Ah, but mirages lurk everywhere for the unwary.

This road invites an exploration towards a bit of heaven; little did I suspect I'd soon be leaving such beautiful terrain for the beginning of a trek into decidedly darker days to come. What shall be the destination — Shangri La, or Mordor?

All things are possible; only time will tell.



The Road, #5383-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: January 22, 2012; Canon 7D; f/11 @ 1/1000 sec; —1 2/3 EV; ISO 160;
Tokina 11-16mm f/2.8@ 16mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Monday, February 13, 2012

Seieng 2012 (#15)

For your consideration: tranquility with just enough roiling to provide some tension and counterpoint.

This is a composite of two hand-held images; one (overexposed for the sky) was used as an adjustment layer in order to coax just a bit of detail from the rocky foreground.



Day's Finale, Pigeon Pt., CA, #4201/2-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 10, 2011; Canon 7D; f/8 @ 1/664 sec; —2 EV; ISO 250;
Tokina 11-16mm f/2.8 @ 16mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Wednesday, February 8, 2012

Seeing 2012 (#14)

For your consideration:

'Tis been an exceptionally hard time of late, inner-cranium wise. Much darkness and synapses storms.

Thus this: an injection of a bit of light. Even in the darkest hour there can be hope; when minute hope is combined with the energy of spirited love the entire universe becomes blessed and awash in colorful joy and rebirth.

As with the Phoenix, so too with us!



Ferris and Palm, #4057-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 2, 2011; Canon 7D; f/8 @ 1.6 sec; ±0 EV; ISO 400;
Tokina 11-16mm f/2.8 @ 11mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Sunday, February 5, 2012

Seeing 2012 (#13)

For your consideration: a stoic sentry (one might say with a wooden expression) peering into an unseen distance of indeterminate expanse.

For those of us lucky to capture this setting earlier today, 'twas a case of seek and you shall find melded with what you see is what you get.

In point of fact, it was maddeningly hidden in plain sight.



Totem (White Face Beak), #5512-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: February 4, 2012; Canon 7D; f/8 @ 1/8197 sec; —2/3 EV; ISO 640;
Canon EF 70-300mm f/4-5.6L IS USM @ 244mm


________

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Saturday, January 28, 2012

Seeing 2012 (#12)

For your consideration: a case of terminal alienation, perhaps tinged with a deliberate obliviousness.

An acute sense of emptiness pervades this scene, set on the outer fringe of a metropolis built to be a magnet for against-all-odds riches and an endless supply of spontaneous, casual social bonding (with their attendant opportunities and eventual consequences) . . .

The windows create a sky filled with impotent rays of hope, mocking the potential for any desired interactions between the players. Certainly this was but one of an oversupply of missed connections.



Leaving Las Vegas (New Year's Eve), #5160-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 31, 2012; Canon 7D; f/3.5 @ 1/250 sec; ±0 EV; ISO 640;
Tokina 11-16mm f/2.8 @ 16mm


________

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Friday, January 27, 2012

Seeing 2012 (#11)

For your consideration: a macro view of a porcelain topography, one which, upon close reflection, may lead to revelations for some.

I find the brain's nimble ability to parse amazingly complex patterns with ease endlessly fascinating. The simple cast of light and shadow across mild contours on this scarred and pockmarked surface is wholly enough to provoke a quick recognition of the true subject's spirit.



Physiognomy, #3038-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: May 16, 2010; Canon 20D; f/11 @ 1/400 sec; —1/3 EV; ISO 100;
Canon EF 100mm f/2.8 Macro USM


________

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Thursday, January 26, 2012

Seeing 2012 (#10)

For your consideration: a common object and setting, yet depicted (in a straightforward manner) as our eyes never quite see it . . .

The ability of modern cameras to "freeze" action by means of extremely short exposure times (up 1/8000 sec is not unusual) far surpasses the capacity of the human brain to see in any detail the incredible dynamics of something as simple as a water fountain nozzle . . . Here the cone, at first glance, appears to be encased in ice rather than a thin sheath of erupting water.



Cone Head, #2493-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 1, 2011; Canon 20D; f/8 @ 1/1001 sec; —1 1/3 EV; ISO 200;
Canon EF 70-300mm f/4-5.6L IS USM @ 269mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Monday, January 23, 2012

Seeing 2012 (#9)

For your consideration: a brief break in a bucolic valley, between onslaughts of the season's first, much-belated winter storms.

I had a great luxury of spending most of yesterday exploring this hidden jewel of a largely unpopulated region with fellow photography enthusiast Jerry. The experience featured a good deal of driving and great seeing: interspersed with bouts of icy rain radiated gorgeous waves of golden sunlight illuminating velveteen, undulating hills and dramatic, regal clouds from horizon to horizon. We both emerged with robust caches of potentially excellent imagery.

Not everyone, it would appear however, successfully negotiates a successful departure from this place.



Pinoche Valley, #5421-22-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: January 22, 2012; Canon 7D; f/9 @ 1/1328 sec; —1 1/3 EV; ISO 320;
Canon EF-S 17-85mm f/4-5.6 IS @ 41mm


________

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Friday, January 20, 2012

Seeing 2012 (#8)

For your consideration: geometric abstractions derived entirely from the play of light upon an object in an expected orientation.

There is much which can be mined in this canvass, if one is willing to linger and play . . .

An unknown creature's cry for help? A thermal mapping of an archer's aim? Juxtaposed planets, moons and rings?

Derived from whole cloth or metallic milling, the reality is subordinate to the pleasure of the contemplations to be plumbed; as with many things one's final interpretation of the visual evidence is likely to be illusionary.



Escape Velocity, #0208-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 25, 2010; Canon 20D; f/5.6 @ 1.6 secs; —2/3 EV; ISO 400;
Canon EF 100mm f/2.8 Macro USM


________

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Thursday, January 19, 2012

Seeing 2012 (#7)

For your consideration: as suffix to the prior entry, let us momentarily consider another recent entry in the Lastest Discovery category . . .

The deeply penetrating Keck telescope has recently discovered more evidence that this particular universe of ours is populated with millions, if not billions of other planets beyond our humble solar system. Now the search is on to unearth observations of rocky spheres which revolve around suns at such as distance as to never long be either too cold or too hot — but rather in a narrow orbital circuit (the so-called inhabitable zone) such that surface and atmospheric temperatures are suitable for water to exist. In such cases the presumption is there is H20, life can arise from the ooze and take form.

Thus, a plethora of unknown species and their representatives on such wet planets might well be patiently awaiting to be encountered.

I've long thought it a disturbing case of acutely-human-centered anthropological conjecture that Life Elsewhere would look something akin to life as we currently know it on Earth (from a species point of view). What might a creature evolved from sulfur, say, appear to be to us? A yellow mound of moving powered mustard?

Perhaps instead other carbon-based aliens have evolved, comprised of vast stretches of connected molecules, creating multi-cellular life forms, just as we are. Who knows: our interstellar neighbors might turn out to be water creatures . . . strange things can happen when enough spherical objects closely congregate and congeal.


Water Entity, #9682-20D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 11, 2010; Canon 20D; f/4.5 @ 1/6400 sec; ±0 EV; ISO 200;
Canon EF 100mm f/2.8 Macro USM


________

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Tuesday, January 17, 2012

Seeing 2012 (#6)

For your consideration: perspectives on the possibility of realities beyond our ability to truly fathom.

For the past few years I've taken up the practice of meditation. Often, as I begin the process of "sitting", I'll venture down a specfic intellectual journey of reflection to clear my mind (a non-sequitur if there ever was one). I start by contemplating the fact that my body, and indeed all physical objects of which I'm aware, consist purely of atoms hanging out together in particular configurations.

These impossibly small particles are themselves essentially empty space: if an atom's nucleus were enlarged to the size of a golf ball, the closest electron would orbit nearly 3,300 feet distant. (Consider too that the nucleus itself consists of similarly void particles — quarks and their kin.) Consequently it is literally the case that the entirety of the physical universe is virtually without substance.

At times, as I follow this path of awareness (with obviously vaguely-defined visualization) a sublime sense of floating astonishment and awe fills my sense of being: the very notion of existence, let alone consciousness, arising from and manifested from such nonsensical nothingness is an incomprehensible miracle. Shells within shells of sub-microscopic architectures as the substrate of such concepts as Self-awareness and emotions (love, hope, joy, grief - the entire gamut) . . . this well-surpasses the Knowable.

And now this news, on the astronomically macro scale: it is increasingly plausible that our universe is but one of an unthinkable number of other Multiverses — a vast reality as simply one bubble amongst untold myriads of others.

Truth is often far more bizarre than any fiction; perhaps no realms of consideration surpasses the domains of physics and astronomy in the richness of case studies supporting this thesis . . .


Untitled (Multiverse), #5188-7D

© 2012 James W. Murray, all rights reserved.


(click image for larger version)
Details: January 17, 2012; Canon 7D; f/4.5 @ 1/1300 sec; —2/3 EV; ISO 800;
Canon EF 100mm f/2.8 Macro USM

________

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Monday, January 16, 2012

Seeing 2012 (#5)

For your consideration: a guiding light in the dark, a beam suggestive of warmth, optimism and safe harbor.

We call all use a beacon now and then. Sometimes we become the signal for others . . . a humbling calling, that.



Pigeon Point Lighthouse, #4379-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 11, 2011; Canon 7D; f/2.8 @ 1 sec; ±0 EV; ISO 1250;
Tokina 11-16mm f/2.8 @ 11mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Wednesday, January 11, 2012

Seeing 2012 (#4)

For your consideration: a study in contour, surface texture — and emotional ambiguity . . .

Is the mood hostile? Or one of confident greeting? Is that a smile, or an anticipatory grab for an imminent mammalian morsel? It's impossible to decipher; perhaps time will tell.

News across the wire today stated that astronomers' instruments have now surveyed enough of the sky to determine that we share a place in the heavenly vault with far more planets than stars. This makes sense: one Sun to nine planets in our Solar System [don't bother correcting me: Pluto gets my vote until my dying day!]. The accumulation of visual evidence now reveals many other systems with similar spherical distribution ratios as found in our interstellar neighborhood.

With so many unknown worlds out there, who could say what form and appearance other entities have taken on? I daresay it won't be any easier to assess their mood and intent than it is regarding the subject of this submission.



Vegas Denizen (Mirage), #5110-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 31, 2011; Canon 7D; f/10 @ 1/500 sec; —1 1/3 EV; ISO 500;
Canon EF 70-300mm f/4-5.6L IS USM @ 170mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Sunday, January 8, 2012

Seeing 2012 (#3)

For your consideration: a study in texture, and a knotty mystery of of some substance.

It reminds me of an ancient fossil fish embedded in strata beyond the ages.



Fence, Kingman, Arizona, #4988-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 29, 2011; Canon 7D; f/11 @ 1/665 sec; —1 1/3 EV; ISO 500;
Canon EF 100mm f/2.8 Macro USM


________

Visit my full photographic repository at jwmurray.smugmug.com

Saturday, January 7, 2012

Seeing 2012 (#2)

For your consideration: justice, back home . . . well, perhaps in the olden days of yore, the Wild West, but by now most of us have found the accuracy of our childhood history books at least as off-kilter as the beams supporting the eaves here.

The dark implications of the coffin notwithstanding (ironically placed in front of the "bank" — although not a trace of Occupy Ghost Town was in sight), this honorable effort of a tourist spot was a quite blissful encounter, being largely deserted during most of the time I spent strolling the sole soul street.

I felt entirely safe, even when peering around dark corners . . . for, after all, I was always armed with my pix shooter in hand . . .



Casket, Chloride, Arizona, #4673-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 27, 2011; Canon 7D; f/8 @ 1/1025 sec; —2/3 EV; ISO 250;
Tokina 11-16mm f/2.8 @ 11mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Tuesday, January 3, 2012

Seeing 2012 (#1)

For your consideration: a tableau from my most recent desert excursion — a little-known forest a bit north of Chloride, Arizona.

I spent upwards of four hours simply wandering, seeing, photographing and meditating within a space no larger than as many acres.

Well after sundown I departed, ruefully, knowing yet again, as always, that this arid Sonoran atmosphere with its seared peace and prickly beauty is my soul's true home.

I shall always ache for it's inhospitable and indescribable comfort.


Yuccas and Moon, Northwest Arizona, #4913-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 28, 2011; Canon 7D; f/8 @ 1/64 sec; ±0 EV; ISO 250;
Canon EF-S 17-85mm f/4-5.6 IS @ 17mm


________

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Saturday, December 31, 2011

Seeing 2011/2012 (#190)

For your consideration: due to the lengthy 30+ second exposure, an expanse which appears here much brighter than it actually was well before dawn on the Pacific coast.

Even so, the sentiment intended is that of optimism for an enlightened year to come . . .

As 2012 arrives (on schedule, of course), let us take some substantial time to pause and reflect: on our individual successes, failures, trials, tribulations, heartbreaks and blissful moments, such that we may be better able to offer our best sense of loving compassion, equanimity, empathy and patience to ourselves, our kin, our friends and the plethora of strangers with whom we shall share the seasons ahead.

Let us be mindful that life can be difficult for every human being, and with such awareness let us remember to celebrate and encourage the spirits of our fellows and be a little less concerned with our own agendas.

Thus, my all our seas be calm, our horizons limitless, and our souls and hearts filled with fresh air.



Self Portrait, Pigeon Point, 4:27 a.m., December 11, 2011, #4372-7D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: October 7, 2011; Canon 7D; f/5.6 @ 1/32 sec; —2/3 EV; ISO 1000;
Canon EF 70-300mm f/4-5.6L IS USM @ 252mm


________

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Seeing 2011 (#189)

For your consideration: à la Rod Serling, a scene from a play (Dead Man's Cellphone, a wonderful production put on by the theatre students at San Jose State University) . . .

A nod to the primary legacy and expected traditional pursuit in honor of this artificially imposed demarcation of our tiny planet's completion of yet one more circuit around the Sun.



Dead Man's Drink, #2406-7D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: October 7, 2011; Canon 7D; f/5.6 @ 1/32 sec; —2/3 EV; ISO 1000;
Canon EF 70-300mm f/4-5.6L IS USM @ 252mm


________

Visit my full photographic repository at jwmurray.smugmug.com

Sunday, December 25, 2011

Seeing 2011 (#188)

For your consideration: an unintentionally poignant, ironic, and all-too-apropos setting for the symbol to which far more monetarily-driven consciousness is devoted vis-à-vis the profoundly spiritual message meant for our consumption.

Ever earlier the frenzied calls for material worship begins now: sickly sweet and pervasive caroling music assaults the ear beginning ere Halloween in some quarters of our Modern Society. Buy those presents!, on Sale!, be sure its not only the right gift, but better than last year's too! And if a real steal can be had via the early-bird approach, but the strategy threatened by competing shoppers — well, a little pepper spray provides the advantage!

Alas, I admit to being a curmudgeon for about the last quarter of the year: find me a clean, dry, modestly furnished hermit's cave far removed from the Christmas chaos and, in my own fashion, I'll be happy to emerge groundhog-like to see my own shadow sometime removed from New Year's.

It is sad to reflect upon just how walled off our society has become from the deeply reflective original spirit of the season; this is true regardless of one's particular religious tradition.

Pink Floyd was onto something.



Untitled, #1584-20D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: April 30, 2011; Canon 20D; f/11 @ 1/800 sec; —2/3 EV; ISO 400;
Canon EF 70-300mm f/4-5.6L IS USM @ 128mm


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Friday, December 23, 2011

Seeing 2011 (#187)

For your consideration: hints of a suspension bridge by means of sweeping, archetypal arcs; yet the supported platform here is vertical rather than horizontal.

A tiny segment of a very large installation, this image evokes for me beauty inherent in gracefully sweeping symmetries, marvelous interplay of light and shadow, and allusions to a fascinating experiment related to quantum phenomena. The chains here stand in for photons seeking their way . . .

On a simpler and more practical plane, I submit this as an homage to the winter solstice: I, for one, am quietly exuberant that moving forward for the next six months the daily ratio of lightness to darkness begins marching in favor of sunshine . . .



Blind Chain (Slit Experiment), #2348-7D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: October 7, 2011; Canon 7D; f/5 @ 1/1328 sec; —2/3 EV; ISO 400;
Canon EF 70-300mm f/4-5.6L IS USM @ 214mm


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Thursday, December 22, 2011

Seeing 2011 (#186)

For your consideration: a native son, leading his tribe in silent procession.



Golden Gate National Cemetery, Great Eagle, #4575-7D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 17, 2011; Canon 7D; f/11 @ 1/2660 sec; —2/3 EV; ISO 500;
Canon EF 70-300mm f/4-5.6L IS USM @ 188mm


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Wednesday, December 21, 2011

Seeing 2011 (#185)

For your consideration: a solitary moment of reflection . . . a study in contrasts between shadow and light, gravitas and flights of fancy, and the immeasurable gulf between permanent residency versus ad interim visitations.

Small conveniences of slightly elevated perspectives at best for the avian observer, these holy engraved slabs mutely testify of profound sacrifices to those paying attention . . .



Golden Gate National Cemetery, Crow Wives., #4637-7D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 17, 2011; Canon 7D; f/16 @ 1/332 sec; —2/3 EV; ISO 500;
Canon EF 70-300mm f/4-5.6L IS USM @ 300mm


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Visit my full photographic repository at jwmurray.smugmug.com

Tuesday, December 20, 2011

Seeing 2011 (#184)

For your consideration: heaving seas aglow under the diffuse illumination of an obscured full moon. The relatively piercing light escaping the sleeping structure emits a wholly insufficient hint of what is sheltered within: the now removed Fresnel of the unseen, watchful pillar of the nearby lighthouse.

Despite the ominous atmosphere conveyed by this image, being utterly alone with the ocean's undulations, mild breeze and limitless sense of space was at once exhilarating and deeply soothing, an experience to which I ought submit myself much more frequently than I do. It refreshes my soul.


Pigeon Point, Museum Lights, 3:20 a.m., #4353-7D

© 2011 James W. Murray, all rights reserved.


(click image for larger version)
Details: December 12, 2011; Canon 7D; f/6.3 @ 32 sec; ±0 EV; ISO 400;
Tokina 11-16mm f/2.8 @ 11mm

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Monday, December 19, 2011

Seeing 2011 (#183)

For your consideration: yesterdayI spent a the afternoon carefully exploring, at long last, the Golden Gate National Cemetery, located in San Bruno just next to I-280. It was virtually abandoned, forgiving of course the permanent residents.

This evening I made a rare foray into the holiday Mall Scene (maul seen), with Julianna, for some brief shopping.

Nobody seemed to have noticed the season's Good News — The War is over.



Golden Gate Cemetery, Late Afternoon, #4522-7D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 17, 2011; Canon 7D; f/11 @ 1/2000 sec; —2/3 EV; ISO 500;
Canon EF 70-300mm f/4-5.6L IS USM @ 79mm


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Visit my full photographic repository at jwmurray.smugmug.com

Sunday, December 18, 2011

Seeing 2011 (#182)

For your consideration . . .

'Tis the Season, eh?

Ah, the sweetness of plastic Santas, elves, reindeer and snowmen aglow in front yards, on roof tops and in mall windows; homes and retail edifices resplendent in multicolored lights; freeways and shopping center car lots similarly infused with (mostly red) , in the form of brake (but few signal) indicators and hot tempers . . . the annual ritualistic quest for parking spaces and harvesting of those requisite perfect gifts (especially on sale!) . . . and let's not forget the ubiquitous caroling, descending from speakers in elevators, display rooms and food courts . . . electronic voices well-honed and practicing since, oh, at least Halloween, no?

Yes, the hastened rush, as another calendar's close swiftly approaches, to check off all the names on the lists and fill the economy's coffers with hard earned coin and associated spreadsheets with positive numbers.

That time of year again.

So here I propose a pause, no matter momentary, to reflect upon the superficiality of so much of the trappings (increasingly elaborate on the whole), and to genuinely consider a matter far more crucial to glad tidings and cheer — the fabric of life, the most precious, sustaining (and often elusive) gift of all . . . the window into the soul's true yearnings.



Heart String, #3817-7D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: November 18, 2011; Canon 7D; f/4 @ 1/400 sec; —1/3 EV; ISO 640;
Canon EF 100mm f/2.8 Macro USM


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Saturday, December 17, 2011

Seeing 2011 (#181)

For your consideration: an effervescent sea, seen via a lengthy thirty-two second exposure taken under high clouds which played hide-and-seek (tide-and-seek?) with the full Moon . . . which never quite managed to break through.

Never mind: after two full hours in communion with the oceanic atmosphere (in virtually perfect conditions) my eyes had adjusted to the degree that all seemed awash in the dim glow of an embryonic dawn. Thundering waves, deliciously crisp, sparklingly fresh air and barely a wisp of a breeze wrapped my sorely needed solitary time with my spirit in a profound sense of comfort and deep pleasure.

Truly, it in such moments as these that I feel unfathomably alive, free and at peace.



Pigeon Point Rocks, 3:36 a.m., #4359-7D

© 2011 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 11, 2011; Canon 7D; f/6.3 @ 32 secs; ±0 EV; ISO 400;
Tokina 11-16mm f/2.8 @ 11mm


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Visit my full photographic repository at jwmurray.smugmug.com