I was drawn to the jumble of juxtapostions here: the pristine condition of the Mercedes against the decrepit, deteriorating marque; the German auto parked rather incongruously at the entrance of an American theater - perhaps trapping the audience inside -- with an Arabic banner in the booth . . . the clock positing a time of either mid-morning or late evening, either of which defies the lighting; the cherry red subject against an otherwise pallid canvas.
Beyond the myriad of odd contractions this image offers a considerable degree of formal composition, with many elements of repetition, balance and geometric symmetries, bringing high structure to mysterious setting.
Cinema Car (9:25), #3461
© 2010 James W. Murray, all rights reserved.
(click image for larger version)
Details: July 19, 2008; Canon 20D; f/14 @ 1/30 sec; -2/3 EV; ISO 200; 66mm.
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