Wednesday, September 29, 2010

Seeing 2010 (#137)

For your consideration: a local reptilian denizen, glimpsed during a recent nocturnal photo adventure.

Mildly inspired -- albeit prescheduled -- I had my teeth cleaned yesterday morning . . .



Dragon Mouth, #1322

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 21, 2010; Canon 20D; f/9 @ 1/13 sec; —2 EV; ISO 400; 30mm.

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Sunday, September 26, 2010

Seeing 2010 (#136)

For your consideration: local geometry -- a tableau with sweeping contradictions and tensions between motion and rigidity, airiness and imprisonment.

(A working title, yet to be decided: Self-Defense.)




Untitled, #0880

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 4, 2010; Canon 20D; f/16 @ 1/500 sec; —2/3 EV; ISO 400; 100mm.

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Friday, September 24, 2010

Seeing 2010 (#135)

For your consideration: in homage to the just-passed Autumnal Equinox.

While visiting my wife's parents in Palm Desert, I took some solo time during our last day and trekked just far enough beyond the city's boundaries to enjoy the illusion (and quiet solitude) of being removed from civilization. Doing so was a temporary immersion and recollection of the soothing peacefulness and arid, severe beauty of my Sonoran Desert heritage. Such all-too-rare moments are a refreshment to my soul as would be a cool, water-filled oasis to a nomad.

This photograph is thus deeply personal in its evocation of my spiritual home.

However, it also depicts a scene emblematic of my in-laws' condition: their lives are winding down, their energy and health beginning to fade . . . twilight is on the horizon. We visited to see to their comfort, and to spend time with the remaining light in their eyes. There is a profound sense of rapid change in the air, attended by a potent reminder of the miracle, and tenuousness, of life.



Sunset, San Jacinto Peak, #1091

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 18, 2010; Canon 20D; f/5.6 @ 1/3200 sec; —1/3 EV; ISO 400; 85mm.

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Tuesday, September 21, 2010

Seeing 2010 (#134)

For your consideration: a pair of interrelated images, abstractions from the same location, albeit inhabiting radically different scales.

The first is a study of complex formal composition, conveying mass and an incongruous sense of motion; the second is bit of a visual pun, a new entry drawn from the still-under-wraps Droppings series, which will soon be unveiled at my main photography repository site.

* * *

Campbell Water Tower, #0602

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 16, 2010; Canon 20D; f/13 @ 1/200 sec; —2/3 EV; ISO 400; 100mm.

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Eatin' It, #0613

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 22, 2010; Canon 20D; f/5.6 @ 1/640 sec; —1/3 EV; ISO 200; 100mm.

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Monday, September 20, 2010

Seeing 2010 (#133)

For your consideration: a simple study of form, contrast, and compositional flow. Taken in very late afternoon fading light. This tableau reminds me of a marching banner . . .




Twig With Yellow Leaf, #0965

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 16, 2010; Canon 20D; f/13 @ 1/200 sec; —2/3 EV; ISO 400; 100mm.

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Thursday, September 16, 2010

Seeing 2010 (#132)

For your consideration: scenes from the local village, encapsulated as it is within a sprawling metropolis.

The first photograph is of a local landmark so familiar as to be largely ignored as background noise (by me, at least) -- in fact until quite recently I'd never bothered to so much as investigate it as a potential subject. However, as I strode through the downtown area at dusk en route to a café unexpectedly wintry weather conjured a dramatic sky, contrasting nicely to the warmly glowing edifice.

After a moment's hesitation -- I thought it might be too dark to capture this canvas sharply: the required slow shutter speed would sorely test my skill at holding the lens steady enough, even with a monopod at hand. Still: the cost of taking that risk was insubstantial, and the resulting reward quite pleasing. Despite the ominous overtones, the sturdiness and warmth of the tower suggests a safe harbor . . .

The second image was one of several unusual and quirky façades I encountered a few weeks ago during a walk with my wife and a mutual friend. The early afternoon lighting then wasn't amenable to my vision, so I returned a few days later, not long before sunset, which afforded the elongated shadows and heightened texture.

Thus: a study of contrasting surfaces, forms, and the incongruous distortions and power of shadows.

* * *


Campbell Water Tower, #0987

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 8, 2010; Canon 20D; f/5.6 @ 1/20 sec; —2/3 EV; ISO 400; 79mm.

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Untitled, #0599

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 22, 2010; Canon 20D; f/11 @ 1/500 sec; —1/3 EV; ISO 100; 100mm.

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Monday, September 13, 2010

Seeing 2010 (#131)

For your consideration: a ferocious sighting of a beast which has undoubtedly remained steadfastly on guard duty, in the same stationary rooftop perch, for years if not decades. I've driven within eyesight of this wooden looming death countless times without noticing it, until only recently. Either this restrained predator is excellent at practicing stealth through silence, or I ought to consider looking up more often.

(On a related note, I went camping with wife, daughter, and an extended circle of friends this weekend; no sightings of this bear's cousins were reported during our stay. I'm grateful.)




Ursa Campbell, #0838

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 2, 2010; Canon 20D; f/8 @ 1/640; —1 EV; ISO 200; 100mm.

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Saturday, September 11, 2010

Seeing 2010 (#130)

For your consideration: an image in homage to those unfortunate souls who so senselessly lost their lives nine years ago this day. May their families be free from fear and suffering and filled with peace and lovingkindness.

Taken from the vantage point of San Jose's City Hall; the thin spires (which are actually misters) serve as both echoes of the Towers and as silent sentries, seemingly outstretched as if striving to caress the jet as it makes its final approach. One small tentacle is slightly bowed, in silent witness to the still lingering sorrows of 9/11.



Incoming, #0882

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 4, 2010; Canon 20D; f/16 @ 1/640; —2/3 EV; ISO 400; 100mm.

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Thursday, September 9, 2010

Seeing 2010 (#129)

For your consideration: a frozen, ambiguous encounter . . .

What is in play here? The signals are mixed -- the child's expression is unsettled, as if searching for a coherent emotion . . . which creates a sense of tension: is the hand's purpose to comfort, or something more disquieting?



Noon, In the Garden, #9525

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 10, 2010; Canon 20D; f/8 @ 1/800; —2/3 EV; ISO 100; 100mm.

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Wednesday, September 8, 2010

Seeing 2010 (#128)

For your consideration: a subtle incongruity, amidst a surface of symmetrical and inverse geometries . . .

A bracing hinge, presumably in place to keep something closed -- and an apparent objection to the entrapment.




Untitled, #0421

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 14, 2010; Canon 20D; f/8 @ 1/2500; —2/3 EV; ISO 400; 100mm.

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Saturday, September 4, 2010

Seeing 2010 (#127)

For your consideration: intimations of a star chamber, perhaps.

When I was a child growing up in Arizona I endlessly marveled at the roiling, searing, fiery ball of the Sun at it set behind the Tucson Mountains. I often fell asleep taking comfort in the sharply-defined mental image I nurtured of the Sun resting in the secret cave to which it retired after each day's journey across the sky.

I never quite worked out how it slipped out of its den in order to reappear in the eastern horizon the following mornings, without its escape being noticed ahead of time . . .



(Son/Sun), #0760

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 28, 2010; Canon 20D; f/4.5 @ 1/2500; —2/3 EV; ISO 400; 100mm.

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Friday, September 3, 2010

Seeing 2010 (#126)

For your consideration: a pair of images speaking to the universal notions of serenity, acceptance, grace, lovingkindness, faith, life, hope . . .

Much of my own trajectory through this human experience has been laden with chaos, turmoil, fear, doubt, and frustration -- conditions arising from both external circumstance and (too frequently) self-imposed resistance to, and rejection of, Reality. For quite some time now, however, I've been traveling a path which has taken me from those spiritually arid deserts, and towards oases of calm, soothing relief, contentment, and even moments of quiet bliss.

Even so, not so very long ago -- a couple of years -- I found myself discontented -- disappointed, really -- at my perceived lack of progress: I felt I was significantly short of where I ought to have been on this journey, given the time and effort I'd invested in my own growth. Thus I took a personal inventory on the matter, and spoke to (and surveyed the attitudes and practices of) several close companions who I admire and respect for their maturity and wisdom.

All of these confidants shared a common trait: meditation as a significant facet of their daily routine. Tentatively, with a perhaps expected inconsistency at first, I began to investigate this mysterious activity myself, by means of readings, casual inquiries as to techniques, and (eventually) attending semi-formal meditation gatherings. And Lo!, I am now able to report from intimate, personal experience that this quiet (well, externally at least), restful, and surprisingly demanding practice yields internal growth both sublime and deeply healing. I've come to treasure it as the most important activity (ironic term) of my day.

In this vein I submit two photographs.

The first, in my brother Eric's bathroom (yes, I am prone to taking my camera everywhere!), was taken in 2006, just on the cusp of the period when I began to consider upping the ante on my emotional and spiritual conditioning. I vividly remember shooting the second image; although the specific date (year) eludes me this photograph demarcates the nascent stages of my adventure towards some dim semblance of enlightenment. Thus combined these scenes are deeply personal revelations of the depth and breadth of my (still barely evolved) awakening to date.

÷÷÷÷÷

A final note to this lengthy entry . . . I prepped the Buddha scene last night; I'd been thinking about this particular photograph for a few weeks. On campus today, during a brief lunchtime stroll when I was thinking about posting the Red Stone Buddha this evening, I came across a rather jarring scene: arranged around the perimeter of the campus chapel were garish signs inviting one and all enter for free food, and to join the crusade. While no specific divinity was mentioned, the message was, it seems to me, provocative and potentially inflammatory in these troubled times. Pick your term: crusade, jihad, intifada . . . none remotely convey any sense of compassion, tolerance, or understanding -- essential, key virtues extolled universally by all historically significant (and broadly revered) spiritual leaders, past and present. Odd, and sad, to see this divisiveness today.

All of which lead me to reflect, as I was composing this entry: a friend of mine, Dan Shields, passed away last week (far too young); another close friend has just received a cancer diagnosis; another just emerged from serious surgery; a very dear friend's father-in-law is in extremely poor health (heart and cancer), while my wife's parents are struggling ever more with the inescapable process of aging as well. One work colleague's mother just died, and another's recently had an unexpected health set-back which left her deeply traumatized. Life is often difficult -- for everyone.

Therefore I offer this art in the spirit of conveying perhaps a bit of a respite -- an antidote -- from all those things which challenge us all during our time of living. May these scenes bring to you, dear viewer, a few moments of peace, contentment, gratitude, an appreciation for the splendid diversity of peoples and cultures no matter your own persuasion . . . and even, if you dare, a real awareness of the possibility of ebullience -- a joie de vivre -- as you trudge the road of Happy Destiny.

* * *



Red Stone Buddha (Sangha), #7098

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: April 30, 2006; Canon 20D; f/6.3 @ 1/80; —1/3 EV; ISO 400; 30mm.

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Praying Hands, The Camp, Scotts Valley, CA

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: circa 1990-92; color transparency (scanned), exposure data unknown; Nikon F2 ; Nikkor 135mm.

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Thursday, September 2, 2010

Seeing 2010 (#125)

For your consideration: a spring afternoon at the end of a day-long photography excursion with my friend Jerry.

Setting out before dawn on a foray to explore relatively local scenery, we encountered a quite diverse spectrum of environments throughout the day; other photographs from this adventure previously posted in this blog appear here, here, and here.

The image below is a panorama consisting of six photographs stitched together. Click here to see the true full-sized version (after the resulting web page comes up, click on the image, then on "size . . . O" at the top of the next screen!).

A special thanks to Jerry for allowing me to perch on the top of his truck to get this view.



Mustard road, San Benito County, #7146-7151

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: March 30, 2010; Canon 20D; f/13 @ 1/400; —2/3 EV; ISO 100; 18mm.

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Wednesday, September 1, 2010

Seeing 2010 (#124)

For your consideration: a stoic, anchored in his outpost gazing indifferently, unwaveringly, into the distance.

I took this whilst wandering the streets of Edinburgh during my one (weekend) visit there in the midst of a long, delightful posting to England. I love England, and greatly enjoyed my all-to-brief visit to Scotland. Spotting this ever-vigilante bust struck me as quite odd and yet firmly in exactly the right place.

The slightly cocked pose seems to convey an air of melancholy despair, as if knowing he's imprisoned even without any bars to restrain him. Most of us have felt such quiet angst at least once in our lives . . .

Shot on color transparency 35mm film, scanned with a Nikon Coolscan V.



Man in Wall, Edinburgh

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: circa 1996; Nikon F2 ; exposure data unknown; Nikkor 135mm.

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