The first photograph is of a local landmark so familiar as to be largely ignored as background noise (by me, at least) -- in fact until quite recently I'd never bothered to so much as investigate it as a potential subject. However, as I strode through the downtown area at dusk en route to a café unexpectedly wintry weather conjured a dramatic sky, contrasting nicely to the warmly glowing edifice.
After a moment's hesitation -- I thought it might be too dark to capture this canvas sharply: the required slow shutter speed would sorely test my skill at holding the lens steady enough, even with a monopod at hand. Still: the cost of taking that risk was insubstantial, and the resulting reward quite pleasing. Despite the ominous overtones, the sturdiness and warmth of the tower suggests a safe harbor . . .
The second image was one of several unusual and quirky façades I encountered a few weeks ago during a walk with my wife and a mutual friend. The early afternoon lighting then wasn't amenable to my vision, so I returned a few days later, not long before sunset, which afforded the elongated shadows and heightened texture.
Thus: a study of contrasting surfaces, forms, and the incongruous distortions and power of shadows.
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Campbell Water Tower, #0987
© 2010 James W. Murray, all rights reserved.
(click image for larger version)
Details: September 8, 2010; Canon 20D; f/5.6 @ 1/20 sec; —2/3 EV; ISO 400; 79mm.
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Untitled, #0599
© 2010 James W. Murray, all rights reserved.
(click image for larger version)
Details: August 22, 2010; Canon 20D; f/11 @ 1/500 sec; —1/3 EV; ISO 100; 100mm.
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