Wednesday, October 6, 2010

Seeing 2010 (#139)

For your consideration: a tableau educing fond - even aching - memories of innumerable, Impressionistic Arizona sunsets from my youth. Life was much simpler then . . .

One small detail, however: except in the arroyos immediately after the sudden torrential downpours known as monsoons, such spectacular displays of nature's palette were notably absent of water in my deserts.

This offering is my first attempt at High Dynamic Range (HDR) imaging, and is comprised of three photographs combined and processed in Photomatrix and Photoshop CS3. The exposure settings given pertain to the mid-exposure photograph of the trio utilized.

Skies such as this are relatively rare in this part of the country, but a standard coda to a Tucson summer afternoon. Thus it was an added pleasure to have witnessed this on the eve of the Autumn Solstice -- the last full day of summer.



Sunset, Alviso, #1298-1300

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 21, 2010; Canon 20D; f/6.3 @ 1/100 sec; ±0 EV; ISO 200; 17mm.

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Friday, October 1, 2010

Seeing 2010 (#138)

For your consideration: an intruder reminiscent of of the Twilight Zone.

At least those episodic nightmares were predictably limited to thirty minutes; those surreal times were more innocent than modern life.

I've had my own dose of Rod Serlingesque staging this week, culminating in a acutely painful plot twist -- claw marks raked across the psyche, familiar terrain bleached of color, rendered as disorienting and alien as this monstrous appendage.



Talons, #1324

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 21, 2010; Canon 20D; f/5.6 @ 1/60 sec; —2/3 EV; ISO 400; 44mm.

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Wednesday, September 29, 2010

Seeing 2010 (#137)

For your consideration: a local reptilian denizen, glimpsed during a recent nocturnal photo adventure.

Mildly inspired -- albeit prescheduled -- I had my teeth cleaned yesterday morning . . .



Dragon Mouth, #1322

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 21, 2010; Canon 20D; f/9 @ 1/13 sec; —2 EV; ISO 400; 30mm.

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Sunday, September 26, 2010

Seeing 2010 (#136)

For your consideration: local geometry -- a tableau with sweeping contradictions and tensions between motion and rigidity, airiness and imprisonment.

(A working title, yet to be decided: Self-Defense.)




Untitled, #0880

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 4, 2010; Canon 20D; f/16 @ 1/500 sec; —2/3 EV; ISO 400; 100mm.

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Friday, September 24, 2010

Seeing 2010 (#135)

For your consideration: in homage to the just-passed Autumnal Equinox.

While visiting my wife's parents in Palm Desert, I took some solo time during our last day and trekked just far enough beyond the city's boundaries to enjoy the illusion (and quiet solitude) of being removed from civilization. Doing so was a temporary immersion and recollection of the soothing peacefulness and arid, severe beauty of my Sonoran Desert heritage. Such all-too-rare moments are a refreshment to my soul as would be a cool, water-filled oasis to a nomad.

This photograph is thus deeply personal in its evocation of my spiritual home.

However, it also depicts a scene emblematic of my in-laws' condition: their lives are winding down, their energy and health beginning to fade . . . twilight is on the horizon. We visited to see to their comfort, and to spend time with the remaining light in their eyes. There is a profound sense of rapid change in the air, attended by a potent reminder of the miracle, and tenuousness, of life.



Sunset, San Jacinto Peak, #1091

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 18, 2010; Canon 20D; f/5.6 @ 1/3200 sec; —1/3 EV; ISO 400; 85mm.

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Tuesday, September 21, 2010

Seeing 2010 (#134)

For your consideration: a pair of interrelated images, abstractions from the same location, albeit inhabiting radically different scales.

The first is a study of complex formal composition, conveying mass and an incongruous sense of motion; the second is bit of a visual pun, a new entry drawn from the still-under-wraps Droppings series, which will soon be unveiled at my main photography repository site.

* * *

Campbell Water Tower, #0602

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 16, 2010; Canon 20D; f/13 @ 1/200 sec; —2/3 EV; ISO 400; 100mm.

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Eatin' It, #0613

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 22, 2010; Canon 20D; f/5.6 @ 1/640 sec; —1/3 EV; ISO 200; 100mm.

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Monday, September 20, 2010

Seeing 2010 (#133)

For your consideration: a simple study of form, contrast, and compositional flow. Taken in very late afternoon fading light. This tableau reminds me of a marching banner . . .




Twig With Yellow Leaf, #0965

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 16, 2010; Canon 20D; f/13 @ 1/200 sec; —2/3 EV; ISO 400; 100mm.

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Thursday, September 16, 2010

Seeing 2010 (#132)

For your consideration: scenes from the local village, encapsulated as it is within a sprawling metropolis.

The first photograph is of a local landmark so familiar as to be largely ignored as background noise (by me, at least) -- in fact until quite recently I'd never bothered to so much as investigate it as a potential subject. However, as I strode through the downtown area at dusk en route to a café unexpectedly wintry weather conjured a dramatic sky, contrasting nicely to the warmly glowing edifice.

After a moment's hesitation -- I thought it might be too dark to capture this canvas sharply: the required slow shutter speed would sorely test my skill at holding the lens steady enough, even with a monopod at hand. Still: the cost of taking that risk was insubstantial, and the resulting reward quite pleasing. Despite the ominous overtones, the sturdiness and warmth of the tower suggests a safe harbor . . .

The second image was one of several unusual and quirky façades I encountered a few weeks ago during a walk with my wife and a mutual friend. The early afternoon lighting then wasn't amenable to my vision, so I returned a few days later, not long before sunset, which afforded the elongated shadows and heightened texture.

Thus: a study of contrasting surfaces, forms, and the incongruous distortions and power of shadows.

* * *


Campbell Water Tower, #0987

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 8, 2010; Canon 20D; f/5.6 @ 1/20 sec; —2/3 EV; ISO 400; 79mm.

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Untitled, #0599

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 22, 2010; Canon 20D; f/11 @ 1/500 sec; —1/3 EV; ISO 100; 100mm.

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Monday, September 13, 2010

Seeing 2010 (#131)

For your consideration: a ferocious sighting of a beast which has undoubtedly remained steadfastly on guard duty, in the same stationary rooftop perch, for years if not decades. I've driven within eyesight of this wooden looming death countless times without noticing it, until only recently. Either this restrained predator is excellent at practicing stealth through silence, or I ought to consider looking up more often.

(On a related note, I went camping with wife, daughter, and an extended circle of friends this weekend; no sightings of this bear's cousins were reported during our stay. I'm grateful.)




Ursa Campbell, #0838

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 2, 2010; Canon 20D; f/8 @ 1/640; —1 EV; ISO 200; 100mm.

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Saturday, September 11, 2010

Seeing 2010 (#130)

For your consideration: an image in homage to those unfortunate souls who so senselessly lost their lives nine years ago this day. May their families be free from fear and suffering and filled with peace and lovingkindness.

Taken from the vantage point of San Jose's City Hall; the thin spires (which are actually misters) serve as both echoes of the Towers and as silent sentries, seemingly outstretched as if striving to caress the jet as it makes its final approach. One small tentacle is slightly bowed, in silent witness to the still lingering sorrows of 9/11.



Incoming, #0882

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: September 4, 2010; Canon 20D; f/16 @ 1/640; —2/3 EV; ISO 400; 100mm.

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Thursday, September 9, 2010

Seeing 2010 (#129)

For your consideration: a frozen, ambiguous encounter . . .

What is in play here? The signals are mixed -- the child's expression is unsettled, as if searching for a coherent emotion . . . which creates a sense of tension: is the hand's purpose to comfort, or something more disquieting?



Noon, In the Garden, #9525

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 10, 2010; Canon 20D; f/8 @ 1/800; —2/3 EV; ISO 100; 100mm.

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Wednesday, September 8, 2010

Seeing 2010 (#128)

For your consideration: a subtle incongruity, amidst a surface of symmetrical and inverse geometries . . .

A bracing hinge, presumably in place to keep something closed -- and an apparent objection to the entrapment.




Untitled, #0421

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 14, 2010; Canon 20D; f/8 @ 1/2500; —2/3 EV; ISO 400; 100mm.

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Saturday, September 4, 2010

Seeing 2010 (#127)

For your consideration: intimations of a star chamber, perhaps.

When I was a child growing up in Arizona I endlessly marveled at the roiling, searing, fiery ball of the Sun at it set behind the Tucson Mountains. I often fell asleep taking comfort in the sharply-defined mental image I nurtured of the Sun resting in the secret cave to which it retired after each day's journey across the sky.

I never quite worked out how it slipped out of its den in order to reappear in the eastern horizon the following mornings, without its escape being noticed ahead of time . . .



(Son/Sun), #0760

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 28, 2010; Canon 20D; f/4.5 @ 1/2500; —2/3 EV; ISO 400; 100mm.

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Friday, September 3, 2010

Seeing 2010 (#126)

For your consideration: a pair of images speaking to the universal notions of serenity, acceptance, grace, lovingkindness, faith, life, hope . . .

Much of my own trajectory through this human experience has been laden with chaos, turmoil, fear, doubt, and frustration -- conditions arising from both external circumstance and (too frequently) self-imposed resistance to, and rejection of, Reality. For quite some time now, however, I've been traveling a path which has taken me from those spiritually arid deserts, and towards oases of calm, soothing relief, contentment, and even moments of quiet bliss.

Even so, not so very long ago -- a couple of years -- I found myself discontented -- disappointed, really -- at my perceived lack of progress: I felt I was significantly short of where I ought to have been on this journey, given the time and effort I'd invested in my own growth. Thus I took a personal inventory on the matter, and spoke to (and surveyed the attitudes and practices of) several close companions who I admire and respect for their maturity and wisdom.

All of these confidants shared a common trait: meditation as a significant facet of their daily routine. Tentatively, with a perhaps expected inconsistency at first, I began to investigate this mysterious activity myself, by means of readings, casual inquiries as to techniques, and (eventually) attending semi-formal meditation gatherings. And Lo!, I am now able to report from intimate, personal experience that this quiet (well, externally at least), restful, and surprisingly demanding practice yields internal growth both sublime and deeply healing. I've come to treasure it as the most important activity (ironic term) of my day.

In this vein I submit two photographs.

The first, in my brother Eric's bathroom (yes, I am prone to taking my camera everywhere!), was taken in 2006, just on the cusp of the period when I began to consider upping the ante on my emotional and spiritual conditioning. I vividly remember shooting the second image; although the specific date (year) eludes me this photograph demarcates the nascent stages of my adventure towards some dim semblance of enlightenment. Thus combined these scenes are deeply personal revelations of the depth and breadth of my (still barely evolved) awakening to date.

÷÷÷÷÷

A final note to this lengthy entry . . . I prepped the Buddha scene last night; I'd been thinking about this particular photograph for a few weeks. On campus today, during a brief lunchtime stroll when I was thinking about posting the Red Stone Buddha this evening, I came across a rather jarring scene: arranged around the perimeter of the campus chapel were garish signs inviting one and all enter for free food, and to join the crusade. While no specific divinity was mentioned, the message was, it seems to me, provocative and potentially inflammatory in these troubled times. Pick your term: crusade, jihad, intifada . . . none remotely convey any sense of compassion, tolerance, or understanding -- essential, key virtues extolled universally by all historically significant (and broadly revered) spiritual leaders, past and present. Odd, and sad, to see this divisiveness today.

All of which lead me to reflect, as I was composing this entry: a friend of mine, Dan Shields, passed away last week (far too young); another close friend has just received a cancer diagnosis; another just emerged from serious surgery; a very dear friend's father-in-law is in extremely poor health (heart and cancer), while my wife's parents are struggling ever more with the inescapable process of aging as well. One work colleague's mother just died, and another's recently had an unexpected health set-back which left her deeply traumatized. Life is often difficult -- for everyone.

Therefore I offer this art in the spirit of conveying perhaps a bit of a respite -- an antidote -- from all those things which challenge us all during our time of living. May these scenes bring to you, dear viewer, a few moments of peace, contentment, gratitude, an appreciation for the splendid diversity of peoples and cultures no matter your own persuasion . . . and even, if you dare, a real awareness of the possibility of ebullience -- a joie de vivre -- as you trudge the road of Happy Destiny.

* * *



Red Stone Buddha (Sangha), #7098

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: April 30, 2006; Canon 20D; f/6.3 @ 1/80; —1/3 EV; ISO 400; 30mm.

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Praying Hands, The Camp, Scotts Valley, CA

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: circa 1990-92; color transparency (scanned), exposure data unknown; Nikon F2 ; Nikkor 135mm.

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Thursday, September 2, 2010

Seeing 2010 (#125)

For your consideration: a spring afternoon at the end of a day-long photography excursion with my friend Jerry.

Setting out before dawn on a foray to explore relatively local scenery, we encountered a quite diverse spectrum of environments throughout the day; other photographs from this adventure previously posted in this blog appear here, here, and here.

The image below is a panorama consisting of six photographs stitched together. Click here to see the true full-sized version (after the resulting web page comes up, click on the image, then on "size . . . O" at the top of the next screen!).

A special thanks to Jerry for allowing me to perch on the top of his truck to get this view.



Mustard road, San Benito County, #7146-7151

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: March 30, 2010; Canon 20D; f/13 @ 1/400; —2/3 EV; ISO 100; 18mm.

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Wednesday, September 1, 2010

Seeing 2010 (#124)

For your consideration: a stoic, anchored in his outpost gazing indifferently, unwaveringly, into the distance.

I took this whilst wandering the streets of Edinburgh during my one (weekend) visit there in the midst of a long, delightful posting to England. I love England, and greatly enjoyed my all-to-brief visit to Scotland. Spotting this ever-vigilante bust struck me as quite odd and yet firmly in exactly the right place.

The slightly cocked pose seems to convey an air of melancholy despair, as if knowing he's imprisoned even without any bars to restrain him. Most of us have felt such quiet angst at least once in our lives . . .

Shot on color transparency 35mm film, scanned with a Nikon Coolscan V.



Man in Wall, Edinburgh

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: circa 1996; Nikon F2 ; exposure data unknown; Nikkor 135mm.

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Tuesday, August 31, 2010

Seeing 2010 (#123)

For your consideration: a simple study of repetitious geometry, subtle texture, and a bit of chaos theory as connective tissue.

Tying it all together -- and of course the key motivation for this particular construction -- is the humble, inconspicuous air of the casually framed public service announcement . . . droll and ironic, and perhaps a bit tardy.



Building 226 , #0596

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 22, 2010; Canon 20D; f/11 @ 1/500 sec; —1/3 EV; ISO 100; 100mm.

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Monday, August 30, 2010

Seeing 2010 (#122)

For your consideration: a micro-climate of sorts, tenuously existing . . .

The fleeting nature of serenity, a small and delicate beauty representing the miraculous diversity of life which flourishes all around us -- a plethora of sublime tapestries briefly on display, delights usually missed, lost beneath the chaos and preoccupation of with keeping pace with Modern Life.

Discovered, with awe, pleasure, and respect (such nimbleness! amazing balancing act!) during an early Sunday morning camera stroll on campus.


Crane Fly , #0817

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 29, 2010; Canon 20D; f/6.3 @ 1/640 sec; —2/3 EV; ISO 400; 100mm.

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Friday, August 27, 2010

Seeing 2010 (#121)

For your consideration: a contemplation of a wooden abstraction.

Extracted from the planks underfoot at my preferred meditation spot, it reminds me of the wrinkles orbiting the eye of an elephant, or perhaps of a whale.



Untitled , #0757

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 26, 2010; Canon 20D; f/3.5 @ 1/500 sec; —2/3 EV; ISO 400; 100mm.

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Tuesday, August 24, 2010

Seeing 2010 (#120)

For your consideration: an appendage appearance of the prickly sort.

I hail from the Sonoran Desert but have been engaged an extended visit to Northern California for twenty-six years (and counting). Thus I'm gradually growing accustomed to redwood trees, ice plant, rolling hills carpeted in naturally abundant grass and those grand oaks. Every so often, though, I'm delighted by an encounter with an entity rather more native to my original home, usually featuring needles in lieu of leaves.

This entry features such a recent pleasure, amplified by the nature of what might be considered the birth of new offspring. Fascinating to me is the ironic contradiction that most newborns are soft, cuddly and often feature a downy soft skin begging caresses . . . not likely the case here!

When contemplating the miraculous diversity of lifeforms on our tiny blue marble floating in the unimaginably vast (and largely empty) void of our universe, I am acutely aware of the profound and incomprehensible fact of existence in all its renditions.

Pausing to reflect on the reality of coexisting with dolphins, hummingbirds, tigers, giraffes, mosquitoes, E. coli, turtles, Palo Verde trees, roses, spiders, kelp and, yes, saguaro, prickly pear cacti and ocotillo -- and all the rest of Earth's horde -- brings a quiet amazement into the frenzied jaunts to-and-fro most of us scramble through in our quest for "happiness" in Modern Society.

Stop. Look around. Soak it in, and be astonished.



Emerging Cacti , #0520

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 16, 2010; Canon 20D; f/10 @ 1/320 sec; —2/3 EV; ISO 400; 100mm.

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Sunday, August 22, 2010

Seeing 2010 (#119)

For your consideration: an entry from the Glass series.

A multitude of possibilities:

. . . an interlaced depiction of an Event Horizon; light/energy being drawn into a compact orb even while simultaneously being ejected in precise reverse trajectory (a cubist version of the Event horizon); an in utero view of an embryonic, enlightened entity; a tentacle probing an alien atmosphere . . .

I find it enthralling, odd and mysterious that basic truths, fundamental knowledge (innate or learned) and revelations of things known to oneself at one stage of life can present themselves anew with the passage of time, to potent effect.

Thus: I've been smitten, enthralled and spiritually fed by the entirety of the photographic process since my youth, and was deeply influenced early on by exposure to the work of Adams, Callahan, Evans, Ray, Siskind and Weston . . .

Yet, in a newly (re)acquired, emphatically visceral awareness, I've been awakened to this: la vie est tout de la lumière.

It's all about the light.



Enlightenment (of Being)/Singularity , #0397

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 13, 2010; Canon 20D; f/10 @ 1/400 sec; —2/3 EV; ISO 400; 100mm.

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Saturday, August 21, 2010

Seeing 2010 (#118)

For your consideration: a pair of portraits of very dear and close friends, in tableaux of radically different moods.

Bryan is a relative newcomer to my circle, and a tremendously joyful addition to our cadre.

An enthusiastic, good-humored and open-minded fellow, he has demonstrated fortitude, remarkable perseverance and unusual willingness as a refreshingly "early adopter" of meditation as a serious spiritual practice. Over the course of a few short months he became my de facto sangha partner; not only did he join me nearly daily for 30-minute meditations ("sits") at a local park, but he was also a frequent visitor to the Zen Meditation Good Works sangha (which meets every Tuesday at noon at the Dr. Martin Luther King, Jr., library), making a special one-hour-plus trip via mass transit and bicycle simply to join in a silent reflection.

Bryan and I developed a rich and deep connection during the course of our journeys to the park, as well as at other spiritual gatherings. I, and others, shall miss him: shortly after he agreed to "sit" for this portrait he completed emptying his storage unit and returned to his homeland of Louisiana. We shall meet again on the journey . . .

Kevin Ahern is the subject of the second image (taken last year in the MLK library) , depicted in a rare foray by me into significant image manipulation.

I chose to alter the original photograph in response to Kevin's recent brush with his mortality: he is a lucky survivor of a heart attack. One of my closest friends and confidants, this scare was utterly unexpected for all concerned, and it serves as an acute reminder of the miracle of our consciousness and the tenuousness, unpredictability and impermanence of our existence. As I have passed 50 years of time spent on the mortal coil the awareness of my own inevitable date with the Great Mystery Beyond has become an increasingly present companion, heightened more than a little by Kevin's escape.

Thus the presentation below, a rendering of Mr Ahern in a duality of contexts and perspectives.

First, an overall sense of ethereal surrealism, representing what may well be our experience as we transition to What's Next. Secondly, I chose specific filtering effects to produce layers and contours: layers to amplify sense of the many hidden levels of our consciousness, unconsciousness, and the unfathomable true nature of our physical Self at the quantum level; contours as a sly nod to a secret love Kevin and I share -- an affinity for geography and USGS maps . . .

Finally, the final result seems to exude a potent sense of discomfort and tension, a mood remarkably and utterly at odds with the actual emotional landscape at the time he posed for my camera . . . a case in point that the potential for a sudden and abrupt change in our essential existence and being is always present.

* * *



Bryan, August 1, 2010, #0336

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 1, 2010; Canon 20D; f/5.6 @ 1/60 sec; —2/3 EV; ISO 400; 51mm.

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Topographical Man, #5476

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: October 30, 2009; Canon 20D; f/11 @ 1/30 sec; —2/3 EV; ISO 400; 55mm.

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Thursday, August 19, 2010

Seeing 2010 (#117)

For your consideration: imagery inorganic and natural, symbolic and demonstrative of the beauty and mystery of life.

The first offering is a scene at once familiar and surreal -- a pair of forms evoking the cellular core of living things in the act of of division, suspended and encased within an egg-like cocoon (itself seemingly filled with perhaps ancient amber) . . . Yet the horizon hints at an atmospheric, expansive spatial scale . . . perhaps a view of alien forms, even planets, reproducing.

The second photograph is a simple presentation of the elegance inherent in nature's evolutionary creation. To the casual (or cynical) observer these may simply be flowers -- yet the nuanced soul recognizes that each is utterly unique unto itself, and abundantly, humbly capable of inspiring awe and respect of the potent beauty on hand. The most advanced scientific inventions (the efforts of which I am an ardent admirer) remain vanishingly short of such complex and delicate results as these.

* * *



Ovum Mitoses, #9215

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 3, 2010; Canon 20D; f/4 @ 1/200 sec; —2/3 EV; ISO 200; 100mm.

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Simpatico, #7285

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: April 14, 2010; Canon 20D; f/16 @ 1/250 sec; —2/3 EV; ISO 400; 100mm.

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Wednesday, August 18, 2010

Seeing 2010 (#116)

For your consideration: a return to a favorite theme, that being nature's artistry -- especially constructions arising from dramatic interplay of light, shadow texture. Late afternoon.




Leaf Array, #0501

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 16, 2010; Canon 20D; f/11 @ 1/200 sec; - 1/3 EV; ISO 200; 100mm.

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Tuesday, August 17, 2010

Seeing 2010 (#115)

For your consideration: an abstract contemplation on primal facets of the human condition . . .

Undulating movements through unknown terrain alternately bathed in light and darkness; little seems quite as it appears . . . some textures subtle, others coarse . . . a pair of intertwined shapes, incomplete yet familiar, at once oozing and frozen in place -- one heart broken or two melding and growing apace?

"It is love, not reason, that is stronger than death." - Thomas Mann



Untitled, #0424

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: August 14, 2010; Canon 20D; f/11 @ 1/1000 sec; - 2/3 EV; ISO 400; 100mm.

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Thursday, August 12, 2010

Seeing 2010 (#114)

For your consideration: contemplations on perseverance, impermanence, and acceptance -- and the subtle potency of body language.

In one moment a man stoically studies a record of the day's events, a firm grip on his temporary sustenance . . . The scene seems peaceful enough, yet the set jaw, coiled posture and (most telling of all) clenched fist belie any aura of tranquility: tension emanates from head to hand. Here sits an image of many days gone past, a representative of a bygone age, subtly juxtaposed against a background symbol of modernity.

The second composition is a simple tableau illuminating an entirely different degree of composure in the face of inevitable unknowns to come. Rather than anxiety the subject appears to be comfortably ensconced on a sofa, hands lightly clasped, head titled as if gazing more with curiosity if not actual welcome anticipation of a revelation near at hand.

* * *

The Diner, #0257

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 28, 2010; Canon 20D; f/5 @ 1/200 sec; - 2/3 EV; ISO 400; 35mm.

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Waiting, #7792

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: May 9, 2010; Canon 20D; f/2.8 @ 1/50 sec; - 2/3 EV; ISO 400; 100mm.

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Friday, August 6, 2010

Seeing 2010 (#113)

For your consideration: a tranquil scene . . .

An outpost beside an empty roadway in rural San Benito County, signs of some ballistic deliveries. "Neither snow, rain, heat, nor gloom of night . . ." No word on the impact of a hail storm, however.



Postal, #7112

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: March 30, 2010; Canon 20D; f/11 @ 1/250 sec; - 2/3 EV; ISO 100; 75mm.

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Thursday, August 5, 2010

Seeing 2010 (#112)

(Apologies to those to received a mal-formed premature version of this entry.)

For your consideration: an entry from the embryonic Droppings series, soon to be unveiled here.

Amongst the travelers in my circles is the oft-heard notion of peeling back the onion. For the courageous, slumbering in the depths to be mined from the mind are mysteries and wonders . . . many revelations await, some acutely coherent and liberating, others surreal and opaque. I've long been particularly fascinated by Dali's Persistence of Memory as an expression of the ephemeral, ethereal landscapes of the unconscious.

The image here offers similar themes of unexpected juxtapositions, indecipherable landscapes and an unlikely sense of movement and moment in a sharply restricted operating space.



Untitled (Oxidizing Mental Corridors), #0257

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: July28, 2010; Canon 20D; f/11 @ 1/200 sec; - 2/3 EV; ISO 400; 100mm.

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Wednesday, August 4, 2010

Seeing 2010 (#111)

For your consideration: a simple geometric presentation featuring symmetries authored by man and nature, seemingly in concert with one another . . . or perhaps an affair of "call and response"?

Either way a tension between the notions of security and fragility, duration and impermanence, underlie it all . . . as it always must be whether the scale be macro or micro.




Hinge, #9542

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 10, 2010; Canon 20D; f/8 @ 1/800 sec; - 1/3 EV; ISO 100; 100mm.

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Tuesday, August 3, 2010

Seeing 2010 (#110)

For your consideration: a Martian forgery, of sorts . . .

I lived for a time in a distant land and era; the dominant feature and raison d'être for the entire scree of communities was the local copper mine with its massive open pit and smelting operations. Situated in the far remote reaches of eastern Arizona, there was dearth of compelling entertainment on the whole. Still, a unique source of awe could be witnessed: the dumping of slag onto the mine tailings, especially when viewed after dark. Gigantic buckets of molten liquid, evocative of volcanic lava, cut bright golden-orange sluices of fire coursing down the utterly toxic, steep slopes of the excavations, briefly lighting up the night sky.

I never managed to photograph one of those searing events, but the image below resurrects long dormant and fond memories of a more innocent period of my life.



Rust Fall, #0249

© 2010 James W. Murray, all rights reserved.

(click image for larger version)

Details: July 28, 2010; Canon 20D; f/16 @ 1/125 sec; - 2/3 EV; ISO 400; 100mm.

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